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Erik Satie - Avant-dernières Pensées

Art.nr: HN1181

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Erik Satie - Avant-dernières Pensées Avant-dernières Pensées Komponist: Erik Satie Serie: Henle Urtext Editions Vanskelighetsgrad: Avansert Antall sider: 20 Instrument: Piano Utgivelsesår: 2013 Utgiver: G. Henle Verlag Utgavenummer: HN 1181 ISMN: 9790201811819 In a typically humorous manner Satie countered the myth of the great master’s “last thought” with his “Next-to-last thoughts” (Avant-dernières Pensées). As was usual with his piano works from 1912 onwards, each of the three highly distinctive pieces with their sound sensitive piano settings contained a short whimsical story printed in the musical text as a subtext, which is more or less closely connected with the music. Satie dedicated his “Next-to-last thoughts” to prominent contemporaries: Claude Debussy (for no. 1 “Idylle”), with whom he was close friends, Paul Dukas (no. 2 “Aubade”, in English “Dawn serenade”), whose music he greatly admired, and Albert Roussel (no. 3“Méditation”), his former teacher of counterpoint at the Schola Cantorum in Paris. Innhold: Avant-derniŠres Pens‚es

Informasjon

Erik Satie - Avant-dernières Pensées

Avant-dernières Pensées


  • Komponist: Erik Satie
  • Serie: Henle Urtext Editions
  • Vanskelighetsgrad: Avansert
  • Antall sider: 20
  • Instrument: Piano
  • Utgivelsesår: 2013
  • Utgiver: G. Henle Verlag
  • Utgavenummer: HN 1181
  • ISMN: 9790201811819

In a typically humorous manner Satie countered the myth of the great master’s “last thought” with his “Next-to-last thoughts” (Avant-dernières Pensées). As was usual with his piano works from 1912 onwards, each of the three highly distinctive pieces with their sound sensitive piano settings contained a short whimsical story printed in the musical text as a subtext, which is more or less closely connected with the music. Satie dedicated his “Next-to-last thoughts” to prominent contemporaries: Claude Debussy (for no. 1 “Idylle”), with whom he was close friends, Paul Dukas (no. 2 “Aubade”, in English “Dawn serenade”), whose music he greatly admired, and Albert Roussel (no. 3“Méditation”), his former teacher of counterpoint at the Schola Cantorum in Paris.


Innhold:

  1. Avant-derniŠres Pens‚es

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