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Frauen Komponieren

Art.nr: SCHED7197

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Frauen Komponieren For a long time the prejudice has prevailed that women cannot compose, since they allegedly lack the requisite creative talent. It is indeed true that they have been less active in the field of musical composition than their malecontemporaries, but reasons for this can be found in the social circumstances of the still recent past. In the late eigtheenth and nineteenth centuries, the ages of the Enlightenment and the highflowering of great achievement inmusic, women were denied the education and encouragement which would have made possible individual accomplishment beyond the limits of domestic music making. In spite of these hindrances there were highly gifted women who overcamethe hurdless and were able to submit their talent for composition to proof. Of course these belonged to the well-to-do middle and upper classes, or were women from musical families who were able to receive a thorough training.This selection, comprising 19 women composers from eight countries, cannot claim to be completely representative, both because there is as yet no systematic catalogue of the autographs and printed editions in archives an librariesand because it is limited to the period from the eighteenth century to the present. Yet the editors are convinced that the present publication is worthwhile and justified, and that each of the pieces can speak for itself. Womencomposers have made their way in the face of prejudice and opposition - they will now pursue that way amid a manifest change in society's view of women, and its attitude towards them. Antall sider: 72 Instrument: Piano Utgivelsesår: 1985 Utgiver: Schott Music Utgavenummer: ED 7197 ISMN: 9790001075435 Innhold: Elisabeth Jacquet de Laguerre (ca. 1664-1729): Rondeau Marianne Matinez (1744-1812): Sonate No. 3 Maria Szymanowska (1789-1831): Nocturne Fanny Hensel (1805-1847): Mélodies, op. 4/2 und op. 5/4 Clara Schumann (1819-1896): Andante con sentimento Louise Farrenc (1804-1875): Impromptu Cécile Chaminade (1857-1944): Pierrette, op. 41 Ilse Fromm-Michaels (1888-1986): Langsamer Walzer Else Schmitz-Gohr (1901-1987): Elegie für die linke Hand allein Lotte Backes (1901-1987): Slow L.ili Boulanger (1893-1918): D' un vieux jardin Priaulx Rainier (1903-1986): Barbaric Dance Elizabeth Lutyens (1906-1983): Two Bagatelles Peggy Glanville-Hicks (1912-1990): Prelude for a Pensive Pupil Verdina Shlonsky (1913-1990): Introduction Ivana Loudova: 2 Stücke (Dornröschen Wiegenlied) Barbara Heller (*1936): Piano Muziek Böhmisches Lied Susanne Erding (*1955): Chillan Johanna Senfter (1879-1961): Erster Schmerz

Informasjon

Frauen Komponieren


For a long time the prejudice has prevailed that women cannot compose, since they allegedly lack the requisite creative talent. It is indeed true that they have been less active in the field of musical composition than their malecontemporaries, but reasons for this can be found in the social circumstances of the still recent past. In the late eigtheenth and nineteenth centuries, the ages of the Enlightenment and the highflowering of great achievement inmusic, women were denied the education and encouragement which would have made possible individual accomplishment beyond the limits of domestic music making. In spite of these hindrances there were highly gifted women who overcamethe hurdless and were able to submit their talent for composition to proof. Of course these belonged to the well-to-do middle and upper classes, or were women from musical families who were able to receive a thorough training.This selection, comprising 19 women composers from eight countries, cannot claim to be completely representative, both because there is as yet no systematic catalogue of the autographs and printed editions in archives an librariesand because it is limited to the period from the eighteenth century to the present. Yet the editors are convinced that the present publication is worthwhile and justified, and that each of the pieces can speak for itself. Womencomposers have made their way in the face of prejudice and opposition - they will now pursue that way amid a manifest change in society's view of women, and its attitude towards them.

  • Antall sider: 72
  • Instrument: Piano
  • Utgivelsesår: 1985
  • Utgiver: Schott Music
  • Utgavenummer: ED 7197
  • ISMN: 9790001075435

Innhold:
  1. Elisabeth Jacquet de Laguerre (ca. 1664-1729): Rondeau
  2. Marianne Matinez (1744-1812): Sonate No. 3
  3. Maria Szymanowska (1789-1831): Nocturne
  4. Fanny Hensel (1805-1847): Mélodies, op. 4/2 und op. 5/4
  5. Clara Schumann (1819-1896): Andante con sentimento
  6. Louise Farrenc (1804-1875): Impromptu
  7. Cécile Chaminade (1857-1944): Pierrette, op. 41
  8. Ilse Fromm-Michaels (1888-1986): Langsamer Walzer
  9. Else Schmitz-Gohr (1901-1987): Elegie für die linke Hand allein
  10. Lotte Backes (1901-1987): Slow
  11. L.ili Boulanger (1893-1918): D' un vieux jardin
  12. Priaulx Rainier (1903-1986): Barbaric Dance
  13. Elizabeth Lutyens (1906-1983): Two Bagatelles
  14. Peggy Glanville-Hicks (1912-1990): Prelude for a Pensive Pupil
  15. Verdina Shlonsky (1913-1990): Introduction
  16. Ivana Loudova: 2 Stücke (Dornröschen
  17. Wiegenlied)
  18. Barbara Heller (*1936): Piano Muziek
  19. Böhmisches Lied
  20. Susanne Erding (*1955): Chillan
  21. Johanna Senfter (1879-1961): Erster Schmerz

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