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Frédéric Chopin - Impromptus

Art.nr: HN236

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Frédéric Chopin - Impromptus Impromptus Komponist: Frédéric Chopin Vanskelighetsgrad: Viderekommen Antall sider: 54 Instrument: Piano Utgiver: G. Henle Verlag Utgavenummer: HN 236 ISMN: 9790201802367 Hardly unexpectedly for a genre created by Franz Schubert, Chopin’s four Impromptus have a strongly improvisatory character, while still overflowing with fleet-footed lightness, as well as with dignity and tastefulness. This applies above all to the first three pieces of this volume, opp. 29, 36 and 51. Whereas the first was written in 1837, the other two were composed during Chopin’s relationship with the authoress George Sand, at her country seat of Nohant: op. 36 in 1839, op. 51 three years later. The opus number of the Fantaisie Impromptu, op. 66, is misleading, since the piece had already been written in 1834 as the first of the four works. Chopin had apparently notenvisioned its printing, and it was issued only after his death, thanks to the efforts of his friend Julian Fontana. The print diverges so strongly from the fortunately extant autograph, however, that both versions are reproduced in the Henle Urtext edition.

Informasjon

Frédéric Chopin - Impromptus

Impromptus


  • Komponist: Frédéric Chopin
  • Vanskelighetsgrad: Viderekommen
  • Antall sider: 54
  • Instrument: Piano
  • Utgiver: G. Henle Verlag
  • Utgavenummer: HN 236
  • ISMN: 9790201802367

Hardly unexpectedly for a genre created by Franz Schubert, Chopin’s four Impromptus have a strongly improvisatory character, while still overflowing with fleet-footed lightness, as well as with dignity and tastefulness. This applies above all to the first three pieces of this volume, opp. 29, 36 and 51. Whereas the first was written in 1837, the other two were composed during Chopin’s relationship with the authoress George Sand, at her country seat of Nohant: op. 36 in 1839, op. 51 three years later. The opus number of the Fantaisie Impromptu, op. 66, is misleading, since the piece had already been written in 1834 as the first of the four works. Chopin had apparently notenvisioned its printing, and it was issued only after his death, thanks to the efforts of his friend Julian Fontana. The print diverges so strongly from the fortunately extant autograph, however, that both versions are reproduced in the Henle Urtext edition.

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