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Johannes Brahms - Sonaten, Scherzo und Balladen

Art.nr: HN38

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Johannes Brahms - Sonaten, Scherzo und Balladen Komponist: Johannes Brahms Vanskelighetsgrad: Viderekommen Antall sider: 127 Instrument: Piano Utgivelsesår: 1984 Utgiver: G. Henle Verlag Utgavenummer: HN 38 ISMN: 9790201800387 Brahms‘ first piano works deal with the classical form of the sonata. The Scherzo op. 4 belongs to this context inasmuch as it can be considered as an independent sonata movement. However, with the melody of the Old German Minnelied “Verstohlen geht der Mond auf” used for the slow movement of the first sonata, and the lines from a poem by Sternau that preface the second movement of the Sonata op. 5, Brahms also proclaims his allegiance to Romanticism. The push-and-pull between Classicism and Romanticism then becomes clearly audible in the opp. 1, 2, 4 and 5. In contrast, the Ballades op. 10, written just barely a year after the Sonata op.5, are thorougly romanticpiano pieces. The best known is certainly no. 1, based on the Scottish ballad Edward from Herder’s “Stimmen der Völker.”

Informasjon

Johannes Brahms - Sonaten, Scherzo und Balladen


  • Komponist: Johannes Brahms
  • Vanskelighetsgrad: Viderekommen
  • Antall sider: 127
  • Instrument: Piano
  • Utgivelsesår: 1984
  • Utgiver: G. Henle Verlag
  • Utgavenummer: HN 38
  • ISMN: 9790201800387

Brahms‘ first piano works deal with the classical form of the sonata. The Scherzo op. 4 belongs to this context inasmuch as it can be considered as an independent sonata movement. However, with the melody of the Old German Minnelied “Verstohlen geht der Mond auf” used for the slow movement of the first sonata, and the lines from a poem by Sternau that preface the second movement of the Sonata op. 5, Brahms also proclaims his allegiance to Romanticism. The push-and-pull between Classicism and Romanticism then becomes clearly audible in the opp. 1, 2, 4 and 5. In contrast, the Ballades op. 10, written just barely a year after the Sonata op.5, are thorougly romanticpiano pieces. The best known is certainly no. 1, based on the Scottish ballad Edward from Herder’s “Stimmen der Völker.”

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