This translucent white blonde finish reminds us of the feminist association with the Hawaiian Mary Kaye. She featured in a promotional ad in which this finish appeared on the guitar, a Stratocaster with gold hardware. This finish was widely used in the 50’s and 60’s.
The secret lies in the application of even thin layers until the hue and desired concentration has been reached.You can enhance the look of the grain with the black grain filler or dye you can also find in the NitorLACK product range.
This two-component polyurethane based guitar finish features great hardness, covering power and light protection. If you want a finish that dries quickly and resistant to scratches and knocks, this is the most suitable. This product has been designed to stand out from the rest of the polyurethane base coats, and thus offer better performance to the wood of the guitar.
Mixing ratio: 2:1 with catalyzer 100144. It is recommended to dilute 10% with Solvent Nitorlack to adjust the viscosity.
The secret lies in the application of even thin layers until the hue and desired concentration has been reached.You can enhance the look of the grain with the black grain filler or dye you can also find in the NitorLACK product range.
This two-component polyurethane based guitar finish features great hardness, covering power and light protection. If you want a finish that dries quickly and resistant to scratches and knocks, this is the most suitable. This product has been designed to stand out from the rest of the polyurethane base coats, and thus offer better performance to the wood of the guitar.
Mixing ratio: 2:1 with catalyzer 100144. It is recommended to dilute 10% with Solvent Nitorlack to adjust the viscosity.
